Gezicht op de haven van Scarborough, op de voorgrond enkele schepen op het strand by Francis Frith

Gezicht op de haven van Scarborough, op de voorgrond enkele schepen op het strand 1867 - 1898

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print, photography, gelatin-silver-print

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still-life-photography

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pictorialism

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print

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landscape

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outdoor photograph

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photography

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couple photography

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gelatin-silver-print

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monochrome photography

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cityscape

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realism

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monochrome

Dimensions: height 106 mm, width 172 mm

Copyright: Rijks Museum: Open Domain

Francis Frith captured this view of Scarborough harbor with his camera, fixing a moment in time with the new technology of photography. Note the cluster of fishing boats stranded on the shore at low tide, a common motif throughout history, seen in countless paintings and prints. Consider, though, how the meaning of these images shifts across time. Initially, boats symbolized adventure, trade, and discovery. However, here, the grounded boats evoke a sense of melancholy. The image is of stagnation rather than progress, with the ships trapped, not moving, and held by the mud. Recall the Dutch Masters' marine paintings, which frequently show ships at the height of maritime power. How different is the feeling here, with the beach setting and a horse-drawn cart. Such images can also be linked to the psychological state of a society, reflecting anxieties and uncertainties. This harbor scene, with its somber tones, engages the viewer with feelings of impermanence. It resonates with our collective memory. This iconography has the power to speak to us across centuries, in different cultural contexts. These symbols persist.

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