An Extensive River Landscape c. 1759

Curator: Welcome. Here we have Alexander Cozens’s "An Extensive River Landscape," created around 1759 using ink and charcoal. Editor: It has such an… ethereal feel to it. A washed-out sepia tone evokes a very pensive and dreamlike atmosphere. Is it me or do you also feel this when looking at this landscape? Curator: The subdued palette certainly contributes. I’m drawn to the artist's handling of light and shadow; how they interact to define the forms within the composition. The graded washes in the sky, for instance, create a palpable sense of depth. Editor: The symbolism in these landscapes are potent, and can mean very many things, especially concerning the Romantics of his era: a yearning for an unspoiled nature; but at the same time, the awareness of human impermanence set against nature's grandeur. The rugged cliffs on the right side against the lowlands is full of visual symbols. Curator: That’s a persuasive reading. From a purely formal point of view, I appreciate the rhythmic progression established between the clustered trees on the left, and how they counter the sharp edges of the rocks and foliage on the right. These elements seem structurally integrated to make your idea that contrast equals tension very apparent. Editor: Indeed, the contrasts can lead to a dialogue. Perhaps nature’s duality—its beauty alongside its harshness, like a beautiful face. Maybe it's how we are meant to relate to its complex form in every situation. I get the feeling Cozens also aimed for a conversation between viewer and nature, through those visual choices. Curator: It makes a certain kind of sense how he also creates depth by using diminishing scales, in both the objects but especially in gradients as you move toward the horizon line. That gradient of color gives the impression of immense scale. Editor: I would concur. It allows viewers to immerse themselves, to meditate upon our place within nature’s great pageant—much like ancient rituals that emphasize awareness and place. Curator: I appreciate the perspective you’ve provided. Considering Cozens’ technique along with symbolic intent definitely elevates my understanding of this drawing. Editor: Mine as well, reflecting on your view about formal construction helped appreciate the nature in this drawing.