Le Directeur 1907

Editor: This is “Le Directeur,” a charcoal drawing created in 1907 by Théophile Alexandre Steinlen. I am immediately struck by the contrast between the two figures; their size, but also their stance and presentation. What can you tell me about how Steinlen uses composition here? Curator: Precisely. The tension arises from the deliberate arrangement of form. The Director’s companion has been positioned as the stable anchoring figure. His counterpart seems comparatively less settled, his corpulent frame appears to be pouring from his suit, spilling from his corporeal form and physical constraints. Notice, too, the use of chiaroscuro, the dramatic interplay between light and shadow. The sharp, directional lines create texture. Where do you see these most vividly? Editor: It jumps out in the heavier strokes defining the subject's faces, especially near the brow, creating a scowl or sense of weight. Then there are the hands. One is nearly engulfed in fabric, while the other has more detail suggesting refinement. Are we supposed to find one to be a subject of sympathy? Curator: The artist wields shadow and light to sculpt the figures, to evoke their interiority. It directs us towards our inquiry regarding these persons’ characterological traits, as well as the socio-economic context, or rather conflict in which their narrative transpires. Note the seemingly casual setting, but consider the constructed nature of observation within the piece. Editor: This really challenges my first, quick interpretation! Seeing how Steinlen uses light and shadow and considering the setting makes it feel more complicated and intentional. Thanks! Curator: Indeed. Apprehending a work from its formal structure affords us insight into social stratifications and philosophical considerations, encouraging continued investigations.