Cartloads to the Cemetary 18th-19th century

Curator: Here we have Goya's "Cartloads to the Cemetery," held here at the Harvard Art Museums. Editor: Goya's mark-making is so raw here—it creates such a claustrophobic mood. It's almost suffocating, like a bad dream etched in acid. Curator: It's an etching, actually—drypoint and aquatint. The stark contrast enhances the drama, showing figures loading bodies onto a cart destined for burial. Editor: The composition is masterful, drawing us right into the grim task, but it's the emotional weight that truly grabs you. What do you make of it? Curator: It's a haunting reflection on mortality, maybe, and the futility of war. I feel transported to a time of widespread suffering and maybe find some catharsis here. Editor: Catharsis, definitely. Art as a wake-up call. Curator: Exactly. And maybe a reminder to cherish the moments we have.