Koningin Semiramis verneemt nieuws over de Babylonische opstand 1646 - 1658

Curator: Before us, we have Jeremias Falck’s engraving, "Koningin Semiramis verneemt nieuws over de Babylonische opstand," created sometime between 1646 and 1658. Editor: My immediate response is to its stark contrast – it has an intensity despite its delicate linework. There is an energy I did not expect in a historical scene rendered with this particular technique. Curator: Precisely. Note how the dramatic composition directs our eye—from the agitated messenger, foreground right, to Queen Semiramis recoiling in the center-left. Observe also the architecture that imprisons her court. It really captures the disruption of order, the instant news upends everything. Editor: I am struck by how the artist creates these stark differences in texture. We move from the rough-hewn garments of the messenger to the ornate details of Semiramis' gown. How were such contrasts created in the printing process? How long did it take to achieve that fineness of detail, especially in depicting those billowing sleeves and luxurious fabrics? It looks very labour intensive. Curator: The line engraving method requires considerable skill to create varying depths through the pressure exerted on the burin. Consider too, how that precision translates the political weight of her crown and heavy jeweled bodice! Note also how the background with cityscapes accentuates that sense of place that contrasts Semiramis herself who appears somewhat static. Editor: It makes one consider how this medium circulated. Who would have bought this print? Where might it have hung, and what other printed materials were being produced? These images provide a tangible connection to how knowledge and narratives were being disseminated. What other prints or media shaped perceptions of power at that time? Curator: The print also captures the psychological weight on Semiramis: the concern is palpable and almost pushes back on the power structures you highlighted. You are spot on – Falck's print speaks to this rich, layered moment. Editor: Absolutely, it’s compelling to see this intricate rendering which brings that fraught historical narrative vividly to life. And in focusing on production it makes one conscious of how historical events like this are communicated and spread.