Gropius Residence, Lincoln, Massachusetts, 1938 c. 1938

Editor: This is Paul Davis's photograph of the Gropius Residence, taken in 1938. The stark geometry of the building contrasts with the surrounding nature, creating a fascinating interplay of lines and shapes. What do you see in this piece? Curator: The image is a study in contrasts, isn't it? Note the precise articulation of the building's planar surfaces against the organic forms of the foliage. The photographer exploits a limited tonal range to emphasize the geometric composition. Are you struck by how the building's structure is essentially a series of rectangles? Editor: Yes, the rectangles really stand out, especially the open one above the first floor. What does that mean, do you think? Curator: Semiotically, that rectangle and its repetition may serve to highlight the function and form of the building itself. Perhaps even a commentary on the essence of modern living? Editor: That’s a fresh perspective. I hadn’t considered how the shape could carry so much meaning about the ideas behind it. Curator: Indeed. It is the careful arrangement of such forms that imbues the image with its profound visual impact.