Portret van Jean Caylar d'Anduze de Saint-Bonnet by Anonymous

Portret van Jean Caylar d'Anduze de Saint-Bonnet 1830 - 1850

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print, engraving

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portrait

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neoclacissism

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print

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figuration

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line

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engraving

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realism

Dimensions: height 316 mm, width 224 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an engraving from between 1830 and 1850, titled "Portret van Jean Caylar d'Anduze de Saint-Bonnet." Editor: Gosh, he really committed to the look. Full armor and that foofy haircut, bless his heart. It feels strangely serious and theatrical all at once. Curator: The portrait’s realism aligns with the prevailing artistic tastes of the era. However, what truly captivates me is how the portrait presents this figure, no doubt a man of considerable rank and privilege, within the sociopolitical context of 19th-century Europe. What statements can we make about the persistence of historical and social hierarchies at the time? Editor: It makes me wonder, who was this dude, really? I mean, behind the metal pajamas? He looks like he's posing for his Tinder profile back when they just invented printing. You know, "swipe right if you're into powerful landowners with questionable facial hair." Curator: Certainly, the very medium used--a printed engraving--reflects wider patterns of production, accessibility, and dissemination of art at that moment. It is an interesting thought to consider the political dimensions and consequences of democratizing images of power in this way. Editor: Exactly. Was he progressive? Conservative? A secret collector of porcelain cats? The artwork invites my brain into his era! Curator: This is what's interesting about situating an artwork like this—this portrait—within wider historical and art-historical analyses of class, gender, and race in portraiture traditions, isn't it? It asks so much about the circulation of images in culture. Editor: And the simple idea that everybody wants to put their best foot, or fully armored leg, forward, whether it's oils on canvas or on a social feed! Curator: I hadn't thought of it that way but indeed. I believe we've unlocked a fresh understanding for those engaging with the work today. Editor: Yeah, if Jean Caylar d'Anduze de Saint-Bonnet can handle my ramblings from the grave, then I am sure that your thoughts do him honor, as well.

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