Briefkaart aan Philip Zilcken by Ernestine Hadkinson

Briefkaart aan Philip Zilcken Possibly 1903 - 1911

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mixed-media, paper, ink, pen

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portrait

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aged paper

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mixed-media

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hand-lettering

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old engraving style

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hand drawn type

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hand lettering

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paper

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personal sketchbook

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ink

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hand-drawn typeface

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Copyright: Rijks Museum: Open Domain

Editor: This is “Briefkaart aan Philip Zilcken,” which translates to Postcard to Philip Zilcken, dating from possibly 1903 to 1911. It's a mixed-media work incorporating pen, ink, and paper. It strikes me as quite formal, due to the cursive writing and the structured layout. How would you interpret this piece, considering its historical context? Curator: Well, consider the postcard itself. The Universal Postal Union standardized international mail in the late 19th century, making personal communication much more accessible. The "Great Britain & Ireland" imprint and the One Penny stamp reflect a specific moment in the socio-political landscape of the British Empire. The act of sending this card, who it was sent to, and the address all provide historical context. How do you think the standardized format of the postcard might have influenced personal communication during that era? Editor: I guess it made it easier and cheaper, maybe more people could keep in touch. But it also made personal messages more…public? Since postcards don’t have envelopes? Curator: Precisely. This increased accessibility also raised questions about privacy and surveillance. Whose address is handwritten? And consider the Dutch address. Trade, colonial administration and immigration all depended on effective and efficient postal services to sustain their socio-political agenda. Does knowing that influence how we see this piece? Editor: It makes me wonder about the relationship between the sender and recipient, and maybe larger economic connections between Britain and the Netherlands. It wasn't just a simple hello; it's part of a bigger network. Curator: Exactly! And thinking about the network highlights the intersection of individual lives and broader historical movements, that helps us to fully appreciate it as a visual and social artifact. Editor: So it's more than just a postcard; it's a little piece of history that reflects societal shifts. I hadn't considered it in such a global context!

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