Female Nude with Raised Foot by Isabel Bishop

Female Nude with Raised Foot c. 1940 - 1945

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drawing

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drawing

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amateur sketch

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light pencil work

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pencil sketch

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incomplete sketchy

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personal sketchbook

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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watercolour illustration

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sketchbook art

Dimensions: sheet: 18.57 × 12.38 cm (7 5/16 × 4 7/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: So, here we have Isabel Bishop’s "Female Nude with Raised Foot," likely from sometime between 1940 and 1945. It’s a drawing, seemingly a study or a sketch. It has this vulnerable and almost melancholy feel to it, and the lines are so delicate. How do you interpret this work, and what draws your attention most? Curator: What strikes me immediately is the tension between vulnerability and the almost academic study of the female form. Bishop, working during a period of immense social upheaval, notably the Second World War, was constantly grappling with the representation of women, specifically working women in urban environments. Is she passively depicting her model, or is there a subtle critique of the traditional male gaze inherent in the art historical canon? Editor: I see what you mean. It’s not idealized at all. The pose seems more natural, less posed. Curator: Precisely. Consider the period—did the war perhaps afford a crack in the door regarding women's representation? Bishop captures an everydayness often absent from classic nudes, pushing us to question power dynamics and who gets to define beauty, especially considering her focus on working women who held positions within a patriarchal framework during the war. Who benefits from these portrayals, and who is potentially harmed or misrepresented? Editor: That's a perspective I hadn't considered. I was so focused on the individual figure that I missed the larger conversation about representation. Curator: Think of her other drawings of women on the streets of New York City and you might come to look at the present nude as an intimate and immediate take of a woman from her own perspective. The question then arises if that nude might carry a more activist take than it seems at first glance. Editor: I'll definitely look at Bishop's work in a different light now. Thanks for pointing out the social context and raising these questions. Curator: It's a constant process of re-evaluation. These seemingly simple sketches can ignite very relevant questions for our own time.

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