Head- or Tail-piece c. 16th century

Curator: The Harvard Art Museums present an interesting piece titled "Head- or Tail-piece," by an anonymous artist. Editor: It evokes such a sense of timelessness. The symmetrical, almost heraldic composition is quite striking. Curator: These were common in early printed books, used to fill space and add a decorative element. One might consider the socio-economic function of the printing press at the time. Editor: Absolutely, and the symbols here resonate deeply. The intertwining lines, almost organic in form, speak to the interconnectedness of things, a sort of visual echo of nature's patterns. Curator: The lack of a known artist highlights the often-overlooked labor in the distribution of texts. The value placed on the "author" can obscure the contributions of makers of more humble origins. Editor: Indeed. Perhaps the beauty lies precisely in its anonymity, letting the emblem speak for itself, unburdened by the cult of personality. Curator: Very well said. It leaves me pondering the value judgments we place on artistic authorship. Editor: And for me, it's a reminder of the potent, quiet power of symbols to communicate across time.