Stoelen c. 1897 - 1898

These chair designs were sketched by Carel Adolph Lion Cachet, but the drawings are undated. They're made with graphite pencil on paper, materials we all know well. But what can these sketches tell us about the chairs he envisioned? The artist clearly focuses on the structure and form. The lines are quick, capturing the essence of the chairs. Lion Cachet seems interested in the chair's strength and function, rather than surface decoration. It’s interesting to imagine the social context for these designs. Were these chairs intended for mass production, or bespoke pieces for wealthy clients? The simplicity suggests a move towards more streamlined, functional furniture. By focusing on material efficiency and structural integrity, Lion Cachet hinted towards a future where design and industry converged. It blurs the line between art, design, and craft, reminding us of the value of everyday objects.