Paperweight by Baccarat Glassworks

Paperweight c. 1845 - 1860

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glass

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16_19th-century

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glass

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decorative-art

Dimensions: Diam. 8 cm (3 1/8 in.)

Copyright: Public Domain

Curator: Here we have a beautiful glass paperweight created by the Baccarat Glassworks, likely between 1845 and 1860. Notice the intricate millefiori design. Editor: Oh, wow. It looks like a whole little galaxy trapped in glass. Makes me want to hold it up to the light and search for hidden messages, you know? Like some futuristic snow globe. Curator: Exactly! The millefiori technique, which means "a thousand flowers" in Italian, involves arranging tiny glass rods to create these elaborate floral patterns. Each one is meticulously crafted, a real feat of artistry from the 19th century. Editor: "A thousand flowers" sounds so romantic. Makes me wonder about the artisan who made it, what they were dreaming about as they placed each tiny element just so. Maybe they needed a good paperweight, but wanted one with a sense of peace. Curator: Paperweights were quite popular decorative objects in the mid-19th century, particularly in Victorian society. They were more than just functional items; they reflected the owners taste and status, symbolizing refined elegance in their homes. Editor: I can definitely see that. It’s both delicate and imposing somehow. This isn't just about taming loose papers, it’s about capturing light and beauty on your desk every day. Did they consider that at all in their art and education system at the time, or were these considered 'minor' decorative arts? Curator: Decorative arts often were not afforded the same high status as painting or sculpture during the 19th century. Yet objects like this paperweight offered women, in particular, access to artistry in the home. It becomes another dimension to their cultivated aesthetic world. Editor: So much history wrapped in such a small, glittering package. It really does make you stop and consider the craftsmanship. Now, I’m picturing sunlight catching this thing and turning an entire room into a kaleidoscopic fantasy. Curator: Well, there's a certain magic to this period and type of decorative work. Hopefully, we’ve opened the door a little for listeners to also consider such possibilities of meaning too. Editor: Agreed. A lovely thought to end on. Now if only my desk looked half this inspiring…

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