Portret van Alexander VIII by Henri Bonnart

Portret van Alexander VIII 1652 - 1711

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print, engraving

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portrait

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baroque

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print

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old engraving style

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history-painting

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engraving

Dimensions: height 256 mm, width 185 mm

Copyright: Rijks Museum: Open Domain

Curator: "Portret van Alexander VIII" by Henri Bonnart. An engraving from the late 17th, early 18th century. Look at the intricate lines; you can almost feel the labor and time embedded within. What are your initial thoughts? Editor: Well, it's clearly a portrait, and the baroque style is evident in the ornate details of the frame and the clothing. I'm curious about why Bonnart chose engraving for this piece. What does this choice reveal about the art and cultural context of the time? Curator: Excellent question! Engraving wasn't just a choice, but a reflection of the social fabric. Think about the process. A print allowed for multiples; Bonnart could produce several iterations, disseminating power. It made it accessible, albeit to a limited educated audience. What impact do you think this had on how Alexander VIII was perceived by his contemporaries? Editor: That's interesting! It challenges this idea of a unique artwork. It also makes me consider the role of the engraver. Was Bonnart simply a craftsman replicating an image, or did he have artistic agency in how he represented the Pope? Curator: Precisely! The division of labor is critical here. Bonnart isn't necessarily inventing an image; instead, he's acting as a key figure in circulating power through reproduction and distribution. What does this tell us about the function of art during this period, not as mere decoration, but as a tool for disseminating particular beliefs and values? Editor: So, it's less about individual genius and more about the artist’s role in a much broader social and political machine. It shifts the focus from the artistic vision to the economic and social factors behind the art object. Curator: Exactly. We must question who art serves and how art perpetuates particular power dynamics. Editor: That's changed how I see it! Initially, I just saw a formal portrait. Now, I see the layers of labor, distribution, and the social implications embedded within each line of the engraving. Curator: That’s great. It is very interesting what kind of discussions a change in the point of view can bring.

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