Alto 'Duytse Schalmey' c. 1680

Curator: Let’s take a look at this stunning object, an Alto "Duytse Schalmey" crafted around 1680 by Richard Haka. It’s a Baroque-era wood sculpture, a musical instrument to be exact. Editor: Wow, it’s giving me real “Sleeping Beauty” vibes—like, what would it sound like to wake up this ancient musical echo? Curator: Its elegant lines demonstrate the prevailing aesthetic of the late 17th century. Notice the precision in its form, the articulation of each section. The material itself, likely boxwood, contributes to its tonal qualities. Editor: I love how simple it looks, but also—there’s a complex feel there in how the light hits. It looks old but like it still could be used—would it make pretty noises, I wonder, or screechy ones? Curator: The Dutch Schalmey, while visually straightforward, embodies refined craftsmanship typical of the Baroque period. Its existence highlights the importance of music and craftsmanship. Each hole serves a distinct acoustical function, contributing to the complex tapestry of melody and harmony. Editor: I get the impression it was an everyday luxury. You know, a prized possession back when quiet time was… maybe louder in general? Curator: This instrument underscores the importance of music in Baroque culture. Its very form—the precise bore, the careful placement of tone holes—reflect a keen understanding of acoustics. Editor: Thinking about the music, what stories did this specific Schalmey get to be a part of? Was it parties, or just for solo artists? The mystery gets me going. Curator: I am struck by its stark elegance in a musical sense and an example of design purity from the late Baroque era. Editor: Exactly. Imagine it not just existing but coming back to life in some amazing outdoor musical setting.