Near the Rix (Ain) 1864

Adolphe Appian created this etching, Near the Rix (Ain), using a metal plate, likely copper, and acid. The artist would have coated the plate with a waxy, acid-resistant substance, then scratched an image into it with a fine needle. The plate was then immersed in acid, which bit into the exposed lines, creating grooves. Ink was applied to the plate, filling these grooves, and the surface was wiped clean. Finally, damp paper was pressed against the plate, transferring the ink and creating the print. The image is a testament to the labor involved in traditional printmaking. Each line is carefully etched, revealing the artist's hand and the subtle gradations of tone achieved through varying line depths and densities. The finished print carries both aesthetic and social significance. By focusing on material, making, and context we see how this artwork challenges traditional distinctions between fine art and craft.