Pa. German Pins 1935 - 1942

Editor: We are looking at "Pa. German Pins," a watercolor and drawing work created between 1935 and 1942. What strikes me first is how these figures are rendered, almost like wooden dolls. The detail in their faces is remarkable. What do you see in this piece? Curator: The formal elements are indeed compelling. Notice how the artist manipulates watercolor to achieve varied textures—the smoothness of the faces contrasts starkly with the rough hewn quality of the "pins" below. It almost gives an impression of a modernist composition; heads detached and elevated on blocks, if you will. Consider the arrangement; the symmetrical and almost monotonous grouping of these vertical forms. What compositional purpose do you think this arrangement serves? Editor: I hadn't considered the symmetry until now. It lends a certain order, despite the folk-art theme, the uniformity emphasizes the individual distinctiveness of each face? Curator: Precisely! It draws our eyes to their uniqueness. Observe how Sandler has used the repetition to further explore themes of identity and representation. Editor: It is really insightful. I originally focused on the individuals but failed to grasp that it is also the relationship between them, presented using color and texture that contributes meaning to the whole painting. Curator: Yes, now analyze how the subtle variations in colour across each figure affect your experience. Is the intention of the Artist evident in their selection of shades? What might the contrasting colour schemes suggest about the relationship of each form to the overall structure? Editor: I now see it creates visual rhythm, directing your sight from left to right. Thanks, seeing the intention of their composition offers a fresh perception! Curator: And by analyzing forms so closely, we may better decode a small portion of the artwork and the message. Keep exploring!