1935 - 1942
Dinner Bell
Listen to curator's interpretation
Curatorial notes
This drawing of a dinner bell was made anonymously, with what looks like pencil and watercolour. I like the way the artist really allows the materials to have their say. The brown and white give it a rustic feel. You can almost hear the clang. The artist seems to let the watercolour do its thing, creating these translucent washes that give the metal a real sense of weight and age. Look at the mottled surface of the bell itself; you can see how the pigment pools and settles, creating these beautiful, unpredictable textures. It's not about precision, but about capturing the essence of the object. It reminds me a bit of Giorgio Morandi’s still lifes, the way he found beauty in the everyday. Art is like a conversation between artists across time, and this drawing speaks to that. Ultimately, it’s a reminder that art can be found in the simplest of things.