Huisknecht leert een vogeltje fluiten by Antonio Casanova y Estorach

Huisknecht leert een vogeltje fluiten 1878

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print, etching, engraving

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portrait

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print

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etching

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genre-painting

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history-painting

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engraving

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realism

Dimensions: height 276 mm, width 195 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Antonio Casanova y Estorach's etching and engraving from 1878, titled “Huisknecht leert een vogeltje fluiten," which translates to something like "A Butler Teaches a Little Bird to Sing." It's quite charming. Editor: Yes, charming and also... melancholy, perhaps? There’s something quite still about the composition. The muted tones and the figure’s hunched posture certainly contribute. Curator: That stillness, I think, comes from its engagement with genre and history painting. Casanova y Estorach often depicted scenes from everyday life with a nostalgic nod to the past. Editor: You see it too, then. Look at the figure's dress – breeches and a simple shirt, an obvious attempt to mimic the sartorial choices of a prior generation. Curator: Absolutely, and notice how he's not grandly teaching but patiently, perhaps even wearily, attempting to teach this bird. The quiet dedication and futility is deeply evocative. Editor: What resonates most is this air of staged authenticity. Every detail—the hanging pots above him, the birdcage, the bottles of liquid behind it, and even the cat asleep on the floor—contributes to the studied naturalness. What does it reveal about society's gaze back then? Curator: It suggests a desire for simpler times. There's a curated sense of "authenticity" that caters to a bourgeoisie seeking refuge in an imagined past, a time before the rise of industrialization. Editor: Indeed. The print seems to say, "Look, isn't this a charming tableau of simple life?" without acknowledging the actual hardships that such a life would entail. This makes it a product and critique of the cultural politics that underpinned Realism. Curator: Precisely, it is like life put on stage. Even in its detailed realism, we are constantly aware that we're seeing a construct. Editor: So it is a bittersweet image. I see yearning and manufactured simplicity… all wrapped in a subtle, melancholic air. It asks us to consider what's real, what’s imagined, and who gets to define that. Curator: Agreed. Casanova y Estorach offers us a glimpse into a specific moment in history but it still reverberates today. The past filtered and fashioned for the present. Food for thought indeed.

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