Portret van Cornelia Hendrika Nije by Gerardus George Johannes Mathijs Frohn

Portret van Cornelia Hendrika Nije 1890 - 1910

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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realism

Dimensions: height 167 mm, width 107 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a gelatin-silver print entitled "Portret van Cornelia Hendrika Nije," created sometime between 1890 and 1910 by Gerardus George Johannes Mathijs Frohn. It strikes me as such a formal portrait, but also intimate, with the sitter posed outside. What do you make of the setting? Curator: It's fascinating how photography, even then, operated within social constraints. Studio portraiture was becoming accessible, yet photographing outdoors suggests a different ambition. The flowers, the small table, all create a curated image of domesticity and leisure. Do you think it reveals anything about Cornelia's social standing? Editor: It certainly speaks to a certain level of comfort, perhaps upper-middle class? I imagine having a photographer come to your home was a statement. Curator: Precisely! This isn't just about documenting her likeness; it's about constructing and performing identity. Consider the restrictive clothing: the high collar, the defined waist, the voluminous skirt. It reflects the values of the time – propriety, domesticity. Yet, positioning her *en plein air* softens that strictness, allowing for a touch of individuality within societal norms. Editor: So the outdoor setting wasn't just aesthetic? It served a social function? Curator: Absolutely. It represents the evolving role of women and their visibility in the public sphere, even if framed through this very controlled setting. Photography was becoming a tool for social mobility, allowing people to claim and perform status. What does the act of creating such images say about the social politics of the late 19th century? Editor: It shows that visual representation and social standing are so intrinsically tied. The portrait is a document but also a constructed narrative. This makes me think of the rise of social media and the way people are constructing a persona using digital images today. Curator: Indeed, different medium, same agenda. That intersection between photographic realism and social performance offers such rich insights.

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