Expositie van Duitse objecten tijdens de wereldtentoonstelling te Antwerpen by Th. Lantin

Expositie van Duitse objecten tijdens de wereldtentoonstelling te Antwerpen 1894

0:00
0:00

gelatin-silver-print, photography, gelatin-silver-print

# 

gelatin-silver-print

# 

photography

# 

gelatin-silver-print

Dimensions: height 158 mm, width 219 mm

Copyright: Rijks Museum: Open Domain

Curator: This gelatin-silver print, titled "Expositie van Duitse objecten tijdens de wereldtentoonstelling te Antwerpen," captures a moment from the 1894 World's Fair, highlighting the German exhibit. Editor: My immediate thought is 'order'. Despite the vastness of the space, the display is meticulously arranged. It has this grandiose, almost imposing quality, but the starkness of the photography tempers that a little. Curator: Indeed. These world expositions were crucial for shaping national identities and fostering international relations. Consider the politics embedded here: Germany presenting its industrial and artistic prowess on a global stage, just decades after its unification. It's a potent visual statement of power. Editor: It’s fascinating to see the focus on what appear to be handcrafted items displayed in this very industrialized context. What materials were considered worthy of display? And who were the craftsmen behind them? What does it tell us about the perception of German craftsmanship at the time? Curator: Exactly. And it's interesting to view it through the lens of Japonisme, that fascination with Japanese art that swept the West. It affected everything from visual arts to interior design, impacting perceptions about display. I wonder how it played a part in what's being exhibited. Editor: It makes you wonder about the conditions in which those objects were produced. Were they considered luxury items then or objects that were more closely integrated into everyday life, made of base materials that were later valorized by display in this setting? The consumption process would really shift the objects value! Curator: These fairs were masterclasses in controlled imagery. This exhibit shows the state projecting certain ideologies. Realism seeps into the narrative when a real human figure is seen interacting with those items that speak of national ideologies! Editor: I see what you mean, now seeing this I realize there's so much more to uncover in just the ways things are organized and represented materially. It highlights that connection of objects with global forces, from both production and consumption angles.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.