Isles of Loch Maree 1923

David Young Cameron rendered ‘Isles of Loch Maree’ with etching on paper. The scene captures a serene expanse of water dotted with islands, under a sky meeting distant mountains. The islands, masses rising from the water, resonate deeply with ancient symbolic weight. Consider, if you will, similar land formations in the myths of antiquity—sacred groves rising from primordial waters, places of refuge and transformation. Islands throughout time have been imbued with the subconscious promise of isolation and rebirth. The dark masses of the islands are a manifestation of a deep psychological need for places untouched. The rough strokes and muted tones evoke a sense of timelessness, suggesting not just a visual representation, but also a landscape of the mind. This is the enduring power of the symbol: its ability to evoke collective memories and emotions that transcend the boundaries of time and place. It is an echo, ever evolving, yet forever resonant.