Twee maskers voor gebouw en rotsen (schets) before 1936

Leo Gestel created this sketch, "Two Masks for Building and Rocks," in 1928. Here we see masks that serve as more than mere disguises; they are powerful symbols, echoing ancient theatrical traditions. The mask, throughout history, from Greek drama to commedia dell'arte, has been a vessel for exploring human emotions and societal roles. Note how the mask conceals and reveals simultaneously. This tension reminds us of the duality within ourselves and the performances we enact daily. Consider how the smiling mask on the right is juxtaposed with the rocky facade of the building, and the rougher looking mask on the left. Are these contrasting identities? Such iconography invites us to delve into the subconscious, where collective memories of rituals and archetypes reside. This sketch touches upon our primal connection to symbolism, reminding us that art serves as a mirror, reflecting our innermost selves.