Onderboezem met rond medaillon c. 1655 - 1657

Antoine Pierretz the younger created this image called ‘Onderboezem met rond medaillon’ using etching techniques. The print presents a formal, symmetrical arrangement, with a focus on classical motifs and decorative elements typical of its period. The linear precision emphasizes its structural design, from the rectangular base, through the ornate sculptures and detailed friezes, up to the crowning pediment. The central medallion disrupts the rigid symmetry, drawing the eye inward. Its circular form, framed by figures, softens the angularity of the architectural elements. This is echoed by the symmetry of the supporting figures and sphinxes, all contributing to a balance between organic and geometric shapes. The etching technique employs dense cross-hatching to create depth and volume, especially noticeable in the drapery and figural details. The stark contrast emphasizes the play of light and shadow, a testament to the artist's formal skill, engaging in a dialogue between form and decoration.