Dimensions: support: 246 x 385 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Francis Towne created this watercolor, Monte Cavo, I, while touring Italy in the late 18th century. It's currently held in the Tate Collections. Editor: The scene feels both serene and vast, almost mythical with those distant blue ridges. There's a remarkable tranquility here. Curator: Towne's watercolors gained attention for their simplified forms and emphasis on line. This approach challenges the picturesque aesthetic popular at the time. Editor: Precisely! The mountain itself becomes a symbol of groundedness, perhaps of the classical past as a source of inspiration. The tree on the left feels like a guardian. Curator: Towne's depictions of Italy served a market increasingly interested in Grand Tour imagery, yet he distinguished himself from many artists by imbuing his landscapes with a unique, almost austere quality. Editor: The layering of the hills evokes a timelessness, a sense of history etched into the very landscape. It reminds us of the stories that landscapes hold. Curator: I find it interesting how Towne navigates artistic trends while subtly engaging with a growing interest in landscape as a reflection of national and personal identity. Editor: Ultimately, this work presents a harmonious balance of nature and symbolism, inviting us to reflect on our relationship with both. Curator: Indeed, this piece demonstrates the power of landscape to evoke a sense of place while sparking individual contemplation.
http://www.tate.org.uk/art/artworks/towne-monte-cavo-i-t08559
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This is one of two watercolours Towne made of Monte Cavo, the highest mountain in the Alban Hills, to the south of Rome. Unlike many of his other Italian watercolours, in which colour is contained within a tighly controlled line, here Towne paints more freely, in order to capture the subtle play of light on the verdant mountain. The watercolour is inscribed on the reverse, ‘Italy No 53. The Spot where Hannibal is said to have lookd at Rome from. Drawn by Francis Towne on the spot 1781’ .Although Towne’s watercolour is based upon direct observation, his choice of motif is clearly determined by his knowledge of the classical past. Gallery label, April 2007