China’s First Female Parachutist by Niu Weiyu

China’s First Female Parachutist Possibly 1950 - 2021

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photography

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portrait

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black and white photography

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cool tone monochrome

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black and white format

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monochrome colours

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warm monochrome

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b w

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photography

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black and white theme

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photojournalism

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black and white

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monochrome photography

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monochrome

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realism

Dimensions: image: 45.7 × 45.4 cm (18 × 17 7/8 in.) sheet: 60.9 × 50.5 cm (24 × 19 7/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Here we have a black and white photograph, titled "China's First Female Parachutist," potentially from between 1950 and 2021, by Niu Weiyu. It’s really striking, a woman in a jumpsuit standing in a field, holding parachute lines. It's quite a powerful image! What do you see when you look at this work? Curator: What interests me is the implied labor. Look at the repetitive action embedded in parachute rigging itself: the material considerations are quite fascinating. Someone had to manufacture and pack that parachute. Now consider that the sky above is full of other parachutes. What sort of manufacturing boom enabled this technology, making parachuting viable for many people? It speaks to larger economic forces at play, don't you think? Editor: That's fascinating. I hadn’t considered the broader production implications at all. Curator: Think about the cotton or nylon used in the parachute, where it came from, who produced it, and under what conditions. Then look at the woman, consider the garment and the labor invested in creating even simple apparel. These are all products and raw materials embedded within the artistic composition itself. What does it tell us? Editor: It points to a society invested in particular technology and the labour that supports it. Also the parachutist as worker? Curator: Exactly. It allows us to think about the value placed on her work and her gendered role. Does she get paid fairly for risking her life for the job, I wonder? It shifts the focus from merely the individual feat of parachuting, to considering the intricate web of materials and processes that makes this feat even possible, highlighting perhaps gender inequities of labor and material conditions in society at large. Editor: I now understand it in a completely different way. I was only focusing on the woman. Curator: Considering materiality changes everything! It exposes hidden narratives of power and production, highlighting complex social and economic relationships embedded in this photo.

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