Study of mountains 

Nicholas Roerich, a Russian artist deeply influenced by the Theosophical Society, painted this “Study of Mountains”. His spiritual quest and fascination with the East shaped his artistic vision. Roerich’s paintings often depicted the Himalayas, reflecting his belief in their mystical power. The radiant yellows and reds are not simply representational but imbued with symbolic meaning. Colors were, for Roerich, an expression of inner, spiritual states, connecting earthly landscapes with cosmic energies. This ties into his cultural identity as a Russian mystic, seeking spiritual insight through art and exploration. Roerich once said that "Art unites; science unites; but technique divides." His mountainscapes are not just geographical studies but symbolic representations of human aspiration. These images are charged with the energy of someone seeking transcendence, reminding us of the potential for art to serve as a bridge between the material and the spiritual realms.