Dimensions: height 174 mm, width 145 mm
Copyright: Rijks Museum: Open Domain
Curator: Let’s turn our attention to this page displaying, "Relikwieënkast van het heilig avondmaal en abdij-kruis in het klooster van Maredsous, België," made before 1896 by Joseph Casier. Editor: It has a somewhat somber mood. The fine lines of the engraving really emphasize the meticulous detail on display, a stark but beautiful black and white representation, reminiscent of old technical drawings. Curator: Precisely. These drawings and prints serve as records. This piece showcases the reliquary cabinet, likely crafted to house important relics, alongside the Abbey cross which would have held significance in liturgical processions. The drawing documents religious implements used by a still active monastery. Editor: Thinking about how the Abbey functioned, the craftsmanship itself feels key. What material would these items actually be constructed of? Something quite precious, most likely involving a laborious process... This image speaks to an investment in high production value as devotion, not just the utility of the object. Curator: Agreed, and such investments reflect the specific social climate. Maredsous Abbey, built in the late 19th century, stands as a powerful symbol of the Catholic revival in Belgium during that era, and the image further broadcasts to an interested public the prosperity and authority wielded by the monastery. Editor: The rendering of form and texture through etching serves as evidence to the opulence and artistry integral to faith and ritual in the social order. Curator: It truly captures an important facet of cultural and religious life in late 19th century Belgium, particularly considering its impact and ongoing history with religion in social order. Editor: Seeing such clear reverence expressed through meticulous material representation does make me reconsider how craft factors into power dynamics. Curator: Indeed, it's a rich example for further consideration. Editor: Yes, very evocative.
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