Two Beauties 1847

Painted by Liao Yun, this image of ‘Two Beauties’ presents us with a window into the symbolic language of feminine virtue and artistry. The women depicted, adorned with floral headpieces, engage in artistic pursuits. One holds a book, emblem of knowledge and refinement, while the other seems to be painting. The motif of women engaged in scholarly or artistic activities extends back through centuries. In classical European art we see similar themes, but here, the symbols take on a distinctly Eastern nuance, focusing on internal beauty as much as external charm. The book, a recurring symbol, is far more than a literary object, instead, it represents the cultivation of inner virtue and intellectual prowess. This motif appears in various contexts, ranging from religious texts to secular literature. The cyclical nature of these images reveals a deep connection to our collective past. Much like how the Renaissance masters looked to antiquity for inspiration, Liao Yun perhaps invokes earlier depictions of feminine virtue, reshaping them for a contemporary audience. This artwork is a testament to the enduring power of symbols, and the capacity of art to resonate with us on a profound, subconscious level.