Portret van paus Clemens X 1670 - 1715

Editor: This is "Portret van paus Clemens X," or "Portrait of Pope Clement X," an engraving made sometime between 1670 and 1715 by Pierre Simon, currently residing in the Rijksmuseum. I'm struck by how the oval frame and ornate lettering give it such a formal, almost official feel. How would you interpret this work? Curator: The formal presentation certainly emphasizes Clement X's power, but it's important to understand the role prints played in disseminating images of authority. Engravings like this one allowed the Pope's image to circulate widely, reinforcing the Vatican’s reach during a period of significant political and religious upheaval in Europe. Think of it as carefully managed PR through reproducible media. What do you think about how Simon approached representing the Pope himself? Editor: Well, there is almost a sense of vulnerability captured despite all the ornamentation, and that seemed unexpected, maybe? Almost subversive given your point about the Vatican’s aims. Curator: That's perceptive. The engraving isn't just about glorification, is it? It humanizes Clement X to a degree. Do you notice how his gaze is somewhat averted? Also the subtle lines around the eyes… This introduces an element of doubt or introspection, and begs a comparison of Simon’s interpretation against competing portraits. And even against Clement X’s legacy more generally! Considering he wasn't initially chosen to be pope... Editor: Interesting. So this engraving exists in a network of power, carefully constructed image, and competing representations all at once. I hadn't thought about how an artwork could serve as both propaganda and humanizing media, I guess. Thanks for expanding my thinking! Curator: It is an example of how public images during that time tried to strike that very careful balance, something to continue considering.