Condiment jar (one of a pair), with figure symbolizing Winter by Höchst Manufactory

Condiment jar (one of a pair), with figure symbolizing Winter 1745 - 1760

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ceramic, porcelain, sculpture

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portrait

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sculpture

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ceramic

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porcelain

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figuration

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sculpture

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men

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decorative-art

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rococo

Dimensions: H. 6-1/4 in. (15.9 cm.)

Copyright: Public Domain

Editor: This is a condiment jar, one of a pair, made of porcelain by the Höchst Manufactory between 1745 and 1760. It features a figure symbolizing Winter. I’m immediately struck by the intricate detail. What does it tell us about the Rococo period? Curator: Well, let's start with the material itself, porcelain. It's crucial to understanding this piece. Porcelain production in the 18th century was a highly competitive, almost secretive, endeavor. European manufactories like Höchst were trying to replicate Chinese porcelain. How does the material, so laboriously produced, inform its status as a luxury object? Editor: I guess it makes sense. It's beautiful, delicate, something only the wealthy could afford, and would therefore show off on their table. The manual work in making this form so attractive... Curator: Exactly! The labor involved, from the mining of raw materials to the molding and painting, is immense. Then think about this "Winter" figure – the very idea of allegorizing the seasons points to a culture of leisure and refinement, divorced from the actual hardships that winter imposed on most people at the time. Where do you think the actual salt, pepper or herbs would be located, for service on the table? Editor: Hmmm… presumably, inside the figure? Somewhere discreet. So, it's functional, but also a statement? Curator: Precisely! It blurs the line between high art and craft. This jar isn't just a container, it's a commentary on social stratification and the display of wealth, all wrapped up in the guise of something as everyday as seasoning food. Its cultural weight lies in understanding that distinction. Editor: That's fascinating. I’ll never look at a condiment jar the same way again. Thank you for shining a light on what I would have initially perceived as just beautiful pottery. Curator: My pleasure. By focusing on materials and methods, we can excavate the social realities embedded in even the most seemingly frivolous objects.

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