Viglius ab Aytta Zuichemus, voorzitter van de Geheime Raad te Brussel by Jacques Jonghelinck

Viglius ab Aytta Zuichemus, voorzitter van de Geheime Raad te Brussel 1568

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silver, metal, relief

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portrait

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silver

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metal

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relief

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11_renaissance

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stoneware

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coin

Dimensions: diameter 2.7 cm, weight 6.47 gr

Copyright: Rijks Museum: Open Domain

Editor: Here we have a silver relief portrait of Viglius ab Aytta Zuichemus, president of the Privy Council in Brussels, created in 1568 by Jacques Jonghelinck. It's fascinating how a person can be captured in such a small, circular space. I’m struck by the textures, particularly the beard and fur collar, they look very intricate! How would you interpret this piece? Curator: Focusing on the visual properties, one must observe the masterful manipulation of silver to create depth. Jonghelinck has carefully modulated the relief to capture not just likeness, but also the tactile qualities of different surfaces. Notice the clear distinction between the smooth, polished areas and the granular, textured surfaces. This interplay serves as a strong compositional element, drawing the eye and creating visual interest. What strikes you about the use of line in the inscriptions? Editor: The neat lines of text serve to define the outer edges of each face of the medallion, creating a boundary. They seem so rigid in comparison to the texture in the rest of the portrait. Curator: Precisely. This contrast invites a meditation on the subject, Zuichemus, both framed and foregrounded. Further, the decision to render this portrait in silver, rather than another metal, is deliberate. Silver allows for a greater range of tonal variation and a delicate interplay of light and shadow, heightening the illusion of depth. Are there elements of symmetry at play here? Editor: On the reverse, the heraldic crest appears relatively centered, creating a stable visual counterpoint to the portrait. Curator: Indeed. Jonghelinck utilizes symmetry to convey authority and order. Both are qualities Zuichemus himself would want to project. The use of symmetry reinforces this idea. The artistic choices speak to more than simple representation, don’t you agree? Editor: Yes! Analyzing the relationship between medium and artistic intent certainly unveils another layer of complexity. Thank you! Curator: It is a reminder that material choices and formal arrangements offer insightful interpretive possibilities.

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