Groepsportret van de senaat van Vindicat Atque Polit in Groningen by Anonymous

Groepsportret van de senaat van Vindicat Atque Polit in Groningen 1900 - 1910

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print, photography

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portrait

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aged paper

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homemade paper

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paper non-digital material

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paperlike

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print

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paper texture

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photography

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folded paper

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thick font

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genre-painting

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academic-art

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letter paper

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paper medium

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modernism

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historical font

Dimensions: height 100 mm, width 139 mm

Copyright: Rijks Museum: Open Domain

Curator: What strikes me most about this image is its staging – the photograph of 'Groepsportret van de senaat van Vindicat Atque Polit in Groningen', dating from around 1900-1910, captures a very deliberate performance of power. Editor: Absolutely, the formal arrangement certainly suggests a certain rigidity, and the near monochrome palette really enhances the sense of gravity. The tight composition creates a kind of oppressive atmosphere, wouldn’t you agree? Curator: I think that oppressiveness speaks to the hierarchical structure of these student associations at the time. They played a crucial role in shaping the social and political elite in the Netherlands. You can sense the weight of expectation placed on these young men. Editor: True. But, consider how the limited tonal range – mostly variations of gray – works to flatten the image. The artist perhaps does this to stress the sameness among the group? And the fact it is bound into a larger printed book format speaks to this uniformity. Curator: That flattening effect, as you put it, could also symbolize the institutional forces at play. Individuality is subsumed by the collective identity of the senate. The image is part of a printed publication, further cementing its role as a public statement, documenting their existence and authority. Editor: Right, the format echoes a desire to formalize and preserve what it is showing. But note also the visual effect of a paper medium here; the slight grain in the image really stands out! Perhaps the choice of materials reflects the subject of young people within institutions that want to display the 'age' of their association through their selection of aged materials like paper? Curator: Precisely. It's all meticulously curated. The print acts as a promotional piece for the association, shaping its public image and attracting new members who aspire to join these ranks of future leaders. The photograph isn't just a portrait; it's a carefully constructed piece of social engineering. Editor: In essence, the piece's value really lies in what it does say through these rigid, formal attributes, as well as through a tactile selection of antiquated medium that lends its historical message extra credibility, regardless of artistic depth. Curator: And that historical credibility shaped the socio-political landscape for decades afterward, even to the present day. Editor: So, in this visual relic we're presented not with artistic vision necessarily, but a calculated document, and the impact this document had within specific power structures is plain.

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