Brief aan Frans Buffa en Zonen by Herman Johannes Aloysius Maria Schaepman

Brief aan Frans Buffa en Zonen Possibly 1878

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drawing, ink, pen

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portrait

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drawing

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ink drawing

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pen sketch

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ink

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linocut print

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pen

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Brief aan Frans Buffa en Zonen," or "Letter to Frans Buffa and Sons," potentially from 1878, crafted with pen and ink. The script gives the piece a sense of intimacy. What do you see in this piece, from your perspective? Curator: Letters carry tremendous weight, acting as symbolic time capsules. Think of the feathered quill, the ink carefully pressed onto the page. This wasn't a fleeting text message; it was a deliberate act of communication. What do you notice about the letterhead, or lack thereof? Editor: It looks like there's "R.P.K." stamped in the top area. What could that possibly mean? Curator: Indeed. "R.P.K." likely refers to Roomsch-Politieke Klub, or Roman Catholic Political Club. Letters are often a visual performance of social identity. Beyond just words, handwriting styles, the formality of the greeting, and even the quality of paper became embedded signifiers. Given the sender, Herman Johannes Aloysius Maria Schaepman, can you imagine who this letter might have been for, and why? Editor: Since it's addressed to Frans Buffa and Sons, maybe it was some sort of formal request from a politician to this printing company? Curator: Precisely. Understanding the relationship between sender and recipient unlocks layers of interpretation. By decoding the visual cues and historical context, we understand this letter as more than just a message, but a fragment of a much larger cultural and social tapestry. Editor: That makes the work so much richer than simply words on paper. I see this letter in a totally different way now.

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