Termosiris Teaching Telemachus to Follow the Example of Apollo 1744 - 1797

Editor: So, this etching and engraving is called *Termosiris Teaching Telemachus to Follow the Example of Apollo*, made by Pietro Antonio Martini sometime between 1744 and 1797. It feels like a very classical scene, quite serene with all these figures relaxing in nature... What stands out to you in this work? Curator: Ah, yes. It pulls you right into a pastoral dream, doesn’t it? I find myself drawn to the landscape elements; the crumbling temple in the distance is as interesting as the figures up front, no? The composition kind of unfolds like a stage play; you notice how Termosiris, old and wise, almost physically hands Telemachus a bit of inspiration – a calling, really. It makes me think – what if Apollo was just a shepherd boy with a really, really good lyre? Did you see how his flock just get’s to listen? Editor: That's a beautiful thought. I was so focused on the main figures that I almost missed the architectural details. It’s interesting how the print combines mythology with…well, normal life! How were prints like this received back then? Curator: They were enormously popular! Reproductions like these made art and stories accessible. I think a lot of folks maybe hadn't experienced a proper painting, or perhaps never got to leave their province. Here it is - Telemachus right in their parlor. Think of this work as kind of ancestor of our audio guides; someone making art accessible for all! Did you feel that sense? Editor: Absolutely! It is cool how this etching brings Telemachus to life. I guess Neoclassicism tried to teach viewers morals, using historical or mythological characters. Curator: Right! See if it changed your approach to problems now - works for me. I see so many possibilities! Editor: I love thinking about the figures in terms of real life situations. Thank you.