photography, gelatin-silver-print
portrait
aged paper
photo restoration
archive photography
photography
gelatin-silver-print
genre-painting
realism
Dimensions: height 190 mm, width 247 mm, height 300 mm, width 360 mm
Copyright: Rijks Museum: Open Domain
Curator: So this gelatin silver print is titled "Twee klerken op een scheepvaartkantoor, Amsterdam" which roughly translates to “Two Clerks in a Shipping Office, Amsterdam". It's an early photograph by Nicolaas Schuitvlot, probably taken between 1900 and 1920. Editor: The lighting is doing a lot of the heavy lifting for me here. I feel like I've just stumbled upon a quiet moment in some bygone era, full of ledgers and longing, all distilled into this rather austere monochrome world. Curator: It’s interesting that you mention the austerity. Schuitvlot wasn’t just capturing a scene, he was documenting the atmosphere of burgeoning industry and commerce, the very lifeblood of Amsterdam's early 20th century identity. Notice the posters in the background, they’re advertising voyages. Editor: Ah, yes! A romantic counterpoint to the dry accounting right in front. You see these two gentlemen, solid in their dark suits, surrounded by paper...then your eye wanders and BAM, there are those steamships headed to who knows where! It sets my mind wandering. Curator: And isn't it fascinating how this genre scene captures a transition? We see traditional office lighting – those elegant lamps – juxtaposed with these forward-looking commercial messages of global trade. It really encapsulates a sense of change. The stiff formality of the portraits is echoed in the very formal placement of the objects and furniture, and broken only slightly by those whimsical posters! Editor: Almost winking, right? Like these guys might have a spirit of adventure in them, underneath those neatly-pressed suits. Or maybe that's just me projecting. There is something beautiful in knowing how this picture would become archival in a sense. Curator: Exactly, we’re now looking back at the very mechanics and administration that allowed for those larger cultural and social exchanges to occur. We have become witnesses, in a way, by viewing Schuitvlot's lens into history. Editor: So beautifully put. You've made me think about the passage of time in a different way, the human energy in these scenes captured so poetically by a photo that transcends what these gentlemen must have thought of it back then!
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