Dimensions: support: 511 x 530 mm frame: 653 x 678 x 79 mm
Copyright: © Estate of Vanessa Bell, courtesy Henrietta Garnett | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Vanessa Bell's painting, Frederick and Jessie Etchells Painting, currently residing at the Tate. It depicts two figures in a somewhat muted palette, creating a rather intimate, domestic scene. What do you see in this piece? Curator: Consider the facelessness of the figures. Is it a literal portrait or a symbolic representation of artistic collaboration? The Etchells were artists themselves. Could this anonymity suggest the shared experience of creativity, transcending individual identity? Editor: That’s interesting! So, the lack of distinct features might be about universality rather than a simple omission? Curator: Precisely. And note the window, a common symbol of perspective and possibility. It suggests an opening to new ideas, a dialogue between the inner world of the studio and the outer world of inspiration. Editor: I never thought of it that way. I see so much more now. Curator: Indeed, art often speaks in symbols, inviting us to decipher its deeper meanings.
http://www.tate.org.uk/art/artworks/bell-frederick-and-jessie-etchells-painting-t01277
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Here we see artists Jessie and Frederick Etchells at work, with doors opening behind them onto a garden. Vanessa Bell painted the sister and brother when they visited her at Asheham House in Sussex. She focused on her use of colour and form, choosing not to include the pair’s facial features. Bell thought Jessie ‘a nice character … and very silent’ but found Frederick difficult and their visit was a strain. From 1913, both Jessie and Frederick worked for the Omega Workshops, an interior design project set up by painter Roger Fry and co-directed by Bell. Gallery label, August 2024