Vijfentwintigjarig huwelijk van mr. Cornelis Jan Wouter Nahuys en Johanna Elisabeth Crul, heer en vrouwe van Burgst by Anonymous

Vijfentwintigjarig huwelijk van mr. Cornelis Jan Wouter Nahuys en Johanna Elisabeth Crul, heer en vrouwe van Burgst 1811

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print, metal, engraving

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portrait

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print

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metal

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sculpture

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ceramic

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engraving

Dimensions: diameter 3.7 cm, weight 14.52 gr

Copyright: Rijks Museum: Open Domain

Editor: Here we have an engraving from 1811, commemorating the 25th wedding anniversary of Mr. Cornelis Jan Wouter Nahuys and Johanna Elisabeth Crul. It seems to be a print of a commemorative metal token or coin. The overall feel is quite austere. What's your interpretation of this piece? Curator: This object really speaks to the social conditions surrounding its production and consumption. Look at the medium—a print referencing a coin. Coins and tokens, especially those commemorating marriages of this sort, were deeply embedded in social and economic exchange. How does its existence as both print and purported coin speak to value and commemoration? Editor: That's an interesting point! It’s like a double representation—the print disseminates the coin's message even further. What can you tell me about its material context? Curator: We should think about what engraving entails. This print's lines indicate significant labor— the time invested into each groove on the presumed original metal die, later reproduced onto paper. It shows the meticulous handiwork, signaling its artisanal origins despite being, technically, a form of reproduced image. This labor itself adds a layer of meaning to the "friendship" being celebrated. Does the inscription of friendship gain any significance when thinking of the labor to memorialize it? Editor: So, by examining the process, materials, and even the implied labor, we can understand this object as more than just a commemorative token, but a statement about social status, artistic production, and the value of commemoration itself? Curator: Precisely. Thinking through the production, it offers fascinating insight into the cultural values placed on marriage, wealth, and representation at that time. Editor: Thanks. It really gives me a richer sense of its historical moment. Curator: Indeed. Examining materials and means of production brings historical objects to life.

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