Dimensions: unconfirmed: 2255 x 1005 mm
Copyright: © Grenville Davey | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Grenville Davey, born in 1961, created these arresting forms. They're called Two Rules Pair, dating from 1991, and they currently reside here at the Tate. Editor: My first thought: monolithic! There's this beautiful tension. They feel weighty, almost industrial, yet possess a strangely serene quality. Curator: Davey's work often explores industrial materials and geometric forms. In the late 80s and early 90s, British art was grappling with the legacy of Thatcherism. Editor: So, these could be read as silent commentary on industrial decline, maybe? The muted color palette certainly adds to that feeling of something passing. Curator: Absolutely. The 'rules' in the title suggest a rigid system, perhaps the constraints imposed by industry or societal expectations. Editor: But the pairing offers some hope. Two separate entities, coexisting, perhaps challenging those very constraints? It's a conversation without words. Curator: That’s well put. It's a thought-provoking dialogue between form, material, and the socio-political landscape of its time. Editor: Indeed. They feel very present, both literally in their imposing scale, and conceptually, as reminders of our ongoing need to question the rules.
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http://www.tate.org.uk/art/artworks/davey-two-rules-pair-1991-t07504
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Davey studied at Goldsmith's College of Art and had his first solo show in 1987. His sculptures of the late 1980s and early 1990s carried resonances of enlarged domestic or industrial objects, and were, as a result, oddly familiar in form. Davey also explored in his work the relationship between two similar elements which are paired to form a single sculpture, and many of these sculptures show his continuing preoccupation with the geometry of the circle. 'Two Rules Pair' is one of the largest sculptures Davey has made and one of several in which the steel surface is treated with acid to produce a streaked effect. Gallery label, August 2004