Landskab med to vejfarende, der gør holdt by Adriaen van der Kabel

Landskab med to vejfarende, der gør holdt 1630 - 1705

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drawing, print, etching, ink

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drawing

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ink drawing

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baroque

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print

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etching

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landscape

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ink

Dimensions: 145 mm (height) x 225 mm (width) (bladmaal)

Editor: So, this is "Landskab med to vejfarende, der g\u00f8r holdt," a landscape made with etching and ink. Adriaen van der Kabel created it sometime between 1630 and 1705, and it's currently held at the SMK in Copenhagen. It gives off this rather peaceful vibe despite the high detail. What's your interpretation? Curator: Well, looking at the piece historically, landscapes during this era—particularly Baroque landscapes—weren't just pretty scenes. They often reflected a complex relationship between humans and the natural world. How do you perceive the people included in the scene? Editor: They look almost secondary to the landscape itself, really small compared to the trees and buildings. Like they're just passing through. Curator: Precisely! And that positioning is crucial. This work shows a clear sense of emerging nationalism through landscape, emphasizing the control and cultivation of space, doesn’t it? The cities depicted in the distance are signs of human dominion, aren’t they? The elite literally 'owned' the space being represented, claiming ownership. Editor: That makes sense. So it's not just about nature, it’s also about power dynamics and social class reflected through what they could own and see? Curator: Exactly. Think about who commissioned and consumed these landscapes. It was wealthy landowners eager to display their domains. What do you think the effect on the public who viewed these artworks must have been, especially people who could never obtain similar views in real life? Editor: It highlights a societal disparity. Seeing that someone has the resources to sit there and claim an idyllic, picturesque life solidifies the power dynamic. You're kind of showing the population "This is my playground," whether verbally spoken or not. Curator: A telling visual articulation of that privilege. Food for thought about the politics embedded within seemingly harmless scenery. I see that differently now! Editor: I learned something as well! Thanks for adding insight to an artwork I wouldn’t have seen so thoroughly before!

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