We Are All Born So Beautiful 3 

Editor: This is "We Are All Born So Beautiful 3," an oil painting by Tania Rivilis. The subject, framed by his own gesturing hands, really draws my attention. What can you tell me about how to interpret the visual symbols here? Curator: The wreath is the first and most compelling visual cue. Consider its historical weight. A wreath or laurel crown often signified victory, triumph, status – think of Roman emperors or poets laureate. Here, placed on a young man, it seems to ask: What does triumph mean now? Who is worthy of celebration? Editor: So, it's not necessarily about traditional power. Curator: Precisely. And consider how the raised hands interact with that concept. They are not quite framing his face; rather, they appear as if about to touch, perhaps to crown, or to offer blessing. It shifts the gaze, drawing focus on this particular individual. The beauty mentioned in the title, it suggests, is perhaps found not in perfection but in the inherent dignity of being human. What kind of continuity, or even disruption, does this bring to mind? Editor: It feels… inclusive. Almost like the artist is redefining beauty. Curator: The realism of the painting is critical here. Realism serves not to imitate the external appearance of the subject, but to project inner essence and individuality. Realism focuses the viewers on the model as one individual, one who could represent the new vanguard. The work’s message gains power and meaning through recognizable and universal signs of strength and acknowledgement. What remains with you the most about the overall statement here? Editor: I think it’s the subversion of classical imagery to celebrate everyday beauty, really insightful. Curator: And that re-evaluation invites a wider cultural conversation about worth and visibility. Thanks for pointing out what stood out for you.