Dimensions: support: 253 x 143 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Thomas Stothard, who lived from 1755 to 1834, created this intriguing work, "A Group of Five Maidens," which can be found here at the Tate. Editor: There's a stillness about this piece, almost sepulchral. The soft, grey washes give the figures a ghostly presence. Curator: The composition is quite deliberate. Observe how Stothard uses line and wash to create a sense of depth, layering the figures to suggest a space beyond the immediate foreground. Editor: The maidens seem lost in thought, maybe mourning. The artist’s monochrome palette truly enhances the gravity of their disposition. What do you think? Curator: The careful rendering of drapery adds a classical sensibility, while the overall tonal harmony contributes to a unified visual field. Editor: I think there's a beauty in their sorrow, a universal experience captured with such delicate sensitivity. Stothard must have been a true romantic at heart. Curator: Indeed, and the work itself is a testament to the enduring power of artistic expression. Editor: A timeless study of contemplation, rendered with quiet grace.
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http://www.tate.org.uk/art/artworks/stothard-a-group-of-five-maidens-t10067
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This drawing has usually been titled 'The Wise Virgins' after the New Testament parable of the ten wise and foolish virgins. However, because it is related to another Stothard drawing showing a composition of seven figures there is no reason to believe that this is the subject. Stothard was close to the artists John Flaxman, Henry Fuseli and William Blake. This drawing, with its dynamic use of outline in pen and ink and grey washes to define light and shade is typical of a style used in their circle. Stothard believed in the strength of such a technique where there were no 'fine colours to compensate for the want of energy'. Gallery label, September 2004