Grafmonument van Maria Magdalena Langhans in de kerk van Hindelbank 1751 - 1804

This print by Gottlieb Leberecht Crusius depicts the tomb monument of Maria Magdalena Langhans. It was made using an intaglio process – specifically, etching, and engraving. The effect of engraving is crisp and precise. Look at how the lines create tone, shadow, and form, and the varying depths capture the texture of stone. These prints weren't just artworks; they were also powerful tools of communication. In this case, a way of extending the cultural reach of the original monument. Consider too, the labor involved. Each line on the plate had to be physically cut by hand using specialized tools, and this intense labor has imbued the artwork with a sense of dedication and care. Ultimately, this print reminds us that all art, even works on paper, are products of skilled making. Recognizing this helps us look beyond the image, and appreciate the social and material context in which the artwork was made.