Handle Spout Vessel in the Form of a Skeletal Figure Holding a Child c. 100 - 500

Editor: Here we have an interesting ceramic sculpture, dating from 100 to 500 CE and created by the Moche people. It’s called "Handle Spout Vessel in the Form of a Skeletal Figure Holding a Child." I find it quite striking, even a little unnerving with that skeletal figure. What stands out to you most about this piece? Curator: Well, the immediate jolt is the image of death juxtaposed with new life, which is powerful imagery. What this vessel suggests, and I emphasize “suggests” because we can only make educated inferences, is the cyclical nature of existence – life, death, and rebirth which form the building blocks of social memory. The Moche were skilled at rendering complex ideas using simplified forms. Editor: So, this isn't just a literal depiction of death, but more of a symbolic representation? Curator: Exactly. The skeletal figure doesn't necessarily signify literal death, but rather a transition or an ancestor figure. Consider what it meant to them that it’s rendered on a functional vessel. Editor: So, by drinking from it, they were perhaps honoring ancestors or participating in some kind of ritual acknowledging that cycle? Curator: Precisely! Ritual consumption allows cultural ideas to find new life within those who perpetuate their usage. This continuity suggests their society greatly valued ancestral knowledge. What do you think the smooth, dark ceramic conveys about their society? Editor: Maybe they associated the sleek black material with something precious or sacred? It feels deliberate, giving the figures an otherworldly quality. Curator: Indeed. The darkness lends an air of mystery, obscuring details and prompting reflection on unseen realms and forgotten beliefs. A somber elegance. Editor: That makes me see it in a totally different light. It is less morbid and more contemplative. Thank you!