Gezicht op de binnenplaats van het Oude Mannen- en Vrouwenhuis (Oudemannenhuis) te Amsterdam by Jacob van Meurs

Gezicht op de binnenplaats van het Oude Mannen- en Vrouwenhuis (Oudemannenhuis) te Amsterdam 1663

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print, engraving

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dutch-golden-age

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print

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old engraving style

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landscape

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perspective

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cityscape

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engraving

Dimensions: height 196 mm, width 299 mm

Copyright: Rijks Museum: Open Domain

Editor: We’re looking at "View of the Courtyard of the Old Men's and Women's Home in Amsterdam," an engraving by Jacob van Meurs from 1663, currently held at the Rijksmuseum. It’s quite intricate, but the lines are a bit rigid; it feels very formal and precise. What are your initial thoughts when you observe this work? Curator: The engraving immediately draws attention to its formal structure and organization of space. Notice how the artist uses linear perspective to create depth, drawing the eye towards a vanishing point somewhere within the central building. What effect does this have on your interpretation? Editor: It certainly emphasizes the grandeur of the building. It’s interesting how much detail is included. Are there specific elements you think contribute to the piece's success as a composition? Curator: The calculated repetition of windows and architectural features contributes a sense of order and rationality characteristic of the Dutch Golden Age. Further, consider the textures achieved through engraving – the meticulous hatching and cross-hatching, building up tonal variations to define form and space. It is also interesting that the inscription on the building states "old men and women's home." Editor: So, it's less about expressing emotions and more about capturing visual details and geometric precision? Curator: Precisely. Van Meurs masterfully manipulates line and form to create a structured representation of architectural space, reflecting the prevailing aesthetic preferences of the time, without directly engaging an emotional response. What could you tell by only observing the structure in the image, without knowing it represents an elderly home? Editor: It probably suggests a wealthy public entity due to the grandeur of the central building, gardens and balanced perspective, suggesting social order. I’ve never really thought about an artwork with that approach before! Curator: Indeed, focusing on form reveals the artistic intention to produce an orderly, accessible and easily understandable impression of 17th century Dutch life.

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