Dimensions: object: 940 x 420 x 410 mm
Copyright: © The estate of Robert Adams | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This delicate sculpture, standing at around 94 centimeters, is Robert Adams' "Space Construction with a Spiral," currently housed in the Tate Collections. It's made of wire and stone. Editor: It feels like a constellation mapped out with the simplest materials, a child's drawing of the cosmos come to life. Curator: Adams' use of industrial materials challenges traditional notions of sculpture. The wire, a common product of post-war industry, is elevated to high art through careful manipulation and design. Editor: It’s incredibly fragile, almost like it could collapse with a strong breeze, which makes me think about the fleeting nature of, well, everything! Curator: And the addition of stone—those spheres affixed to the wire—grounds the piece, connecting the industrial with the natural, a fascinating juxtaposition of labor and material. Editor: Yes, it really is. It makes you think about the relationship between humans and the universe. Curator: Absolutely. A captivating study in material and space, for sure. Editor: A humble dance between the manufactured and the elemental, I'd say.
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http://www.tate.org.uk/art/artworks/adams-space-construction-with-a-spiral-t07034
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Space Construction with a Spiral was probably made in Hardingstone, near Northampton, where Adams lived, or at the Central School of Art, London, where he taught from 1949 until 1961. It was exhibited at Gimpel Fils, London, in July 1951, and reproduced in Toni del Renzio’s article ‘First Principles and Last Hopes’ published in Typographica. In that article it was positioned adjacent to a photograph of Eduardo Paolozzi’s open-frame construction Fountain, which had been commissioned for the South Bank site of the Festival of Britain.