Card Number 219, Sutherland, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co.

Card Number 219, Sutherland, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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print

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photography

Dimensions: Sheet: 2 1/2 × 1 3/8 in. (6.4 × 3.5 cm)

Copyright: Public Domain

Editor: So, here we have a photographic print from the 1880s, part of the "Actors and Actresses" series by W. Duke, Sons & Co., used to promote Cross Cut Cigarettes. It's titled "Card Number 219, Sutherland". I’m struck by the way it presents this performer - there's a strange mix of glamour and... advertising. What do you make of this juxtaposition? Curator: Ah, yes! Isn't it deliciously ironic? The Victorian era's obsession with both high art and burgeoning consumerism, perfectly captured in this little piece of tobacco ephemera. I see a negotiation – or perhaps a gentle collision – between the aspirational world of theatre and the everyday appeal of a cigarette. Think about the casual intimacy it creates: smoking wasn’t as taboo then. The photograph almost winks at us, doesn’t it? A beautiful woman…and cigarettes. Notice how the sitter's gaze seems to promise something, maybe a puff of pleasure or perhaps even a bit of backstage allure. Do you see how the curve of her arm echoes the swirls in the ornate table covering beside her? Editor: That’s a fascinating take! I was focusing on the sort of, dare I say, "stiffness" of the pose – it feels so posed. But now that you mention the echoing curves and that "promise" in her gaze, it adds a new dimension. Curator: Indeed! This image becomes less about rigid documentation and more about... constructing a desire, wouldn't you say? And that's the magic of it, really. These were meant to be collected, traded. Imagining these cards circulating creates another layer of appreciation. Editor: I hadn’t considered it that way! Thanks, that gives me a completely different view on its function, like it’s a micro-story of cultural desires. Curator: Exactly! These little relics whisper stories if we pause and really *listen*… and isn’t that what great art does, regardless of its scale or intended purpose?

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