Portret van Maria Lobrij van Troostenburg de Bruijn-Simon Thomas in een avondjapon van lila satijn, met zwarte overjapon by Friedrich Carel Hisgen

Portret van Maria Lobrij van Troostenburg de Bruijn-Simon Thomas in een avondjapon van lila satijn, met zwarte overjapon c. 1911

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Dimensions: height 166 mm, width 107 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, look at this piece—a photographic portrait from around 1911 by Friedrich Carel Hisgen. It captures Maria Lobrij van Troostenburg de Bruijn-Simon Thomas in an absolutely striking evening gown. Editor: The whole piece is steeped in lavender light, or perhaps it's just age playing tricks. Either way, there is such serenity radiating from it... but a subtle melancholy too. It feels very self-contained. Curator: Right? I think that’s precisely the skill here. This photographic medium freezes her within time. What do you suppose this moment would convey for women then, and how might it have served her reputation and/or that of the photographer? Editor: The dress first strikes me: The lilac, under that more severe black, peeking out just enough, seems such a Victorian assertion of muted individuality. And I am also interested by the dress as a container of status, virtue, perhaps intelligence. And that it could circulate the artistry of the photographer in this very particular social network of beauty and reputation. Curator: Absolutely, and the formality in the posing emphasizes a certain kind of presence. This, I would imagine, had a specific social weight attached to it. Did photography give an accessible method to disseminate status? Or do you think her class ensured a certain reading regardless of media? Editor: Probably both, working hand-in-hand. Photography in this era still had the allure of the modern and semi-scientific, further lending legitimacy to the sitter. It's like a symbolic branding: wealth meets 'truth.' I find these sartorial time capsules particularly fascinating because they encapsulate a whole ethos. Curator: I agree; fashion becomes such a potent communicator of inner self and of status. It truly creates an interesting intersection where social aspiration meets personal taste, and becomes permanently and publicly visible. The image leaves us with a profound snapshot of the era! Editor: Exactly. This single photograph seems to tell so many quiet stories.

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