Pink Orchid by Kakutei

Pink Orchid 1700 - 1785

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painting, watercolor

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water colours

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painting

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asian-art

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watercolor

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orientalism

Dimensions: 29 1/4 x 14 1/2 in. (74.3 x 36.8 cm)

Copyright: Public Domain

Curator: This work is entitled "Pink Orchid", created by Kakutei between 1700 and 1785. It's a watercolor painting and currently resides in the Metropolitan Museum of Art. What's your immediate impression? Editor: Airy, ethereal. The orchid floats, barely there against the cream ground. It's like a whisper of a flower. Curator: Indeed. Orchid paintings were highly regarded within the literati circles of the time. They symbolized refinement, integrity, and even reclusion. Kakutei was part of a vibrant artistic movement. His work reveals much about the social and political climates. How does this align with your thoughts? Editor: It doesn't, but I'm not a scholar so what does it matter? I was going to suggest this is all about hidden strength and the tenacity of beauty even in minimal settings! Maybe the reclusive nature mirrors those values and ideas. It makes it something universal that makes it a painting people can relate to even today. It's more than just brush strokes and paper. Curator: These subtle artistic details are fascinating for sure, such as the way Kakutei captures the fragility of the blooms and their delicate petals. Did you notice the precise control over the watercolor medium that is also visible within other artwork across the collection. Editor: Yes! You can sense that mastery but also...restraint. Kakutei is choosing *not* to overwhelm. Each stroke seems carefully placed for a particular reason. Curator: Precisely. During this period, Kakutei faced some tough choices: following academic styles to gain favor, or cultivating his individuality, in opposition to that path. In this painting he really captured a pivotal moment. Editor: So, it *is* political! Although, if you asked me about this orchid as the essence of integrity, as the artist’s silent act, then you can assume so without even knowing. Curator: So eloquently observed. Thanks for sharing that, especially on such a subtle painting. It’s hard to know which side the artists was really fighting on so it’s helpful to discuss, rather than accept the known. Editor: Likewise! Let’s keep questioning those silent narratives hiding in brushstrokes.

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