Slapende koe met schaap en lammetje by Pieter Gerardus van Os

Slapende koe met schaap en lammetje 1791 - 1839

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drawing, print, etching, pencil, engraving

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drawing

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animal

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print

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etching

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landscape

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pencil drawing

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romanticism

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pencil

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genre-painting

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engraving

Dimensions: height 165 mm, width 235 mm

Copyright: Rijks Museum: Open Domain

Curator: This etching, titled "Slapende koe met schaap en lammetje," or "Sleeping cow with sheep and lamb," by Pieter Gerardus van Os, likely made between 1791 and 1839, is part of the Rijksmuseum's collection. It’s a tranquil pastoral scene. Editor: It is quite relaxing! The gentle slope, the sprawling cow, the huddled sheep—the artist is masterful at using light and shadow to create depth, particularly on the flanks of the reclining cow. Curator: Certainly. It draws upon a visual language evoking Arcadian ideals. Farm animals in peaceful communion tap into deep-seated associations of rustic simplicity and a bygone, harmonious era. Notice how the cow, though large, isn't dominating; it seems to watch over the smaller sheep, representing care. Editor: It’s fascinating how the textures contribute so much. The etched lines create the wool’s density and the cow’s coat, playing with patterns. Even the wispy clouds are integrated by texture. And there's the deliberate arrangement – the animal bodies form a kind of protective crescent. Curator: Van Os was deeply embedded in the Romantic movement and that’s a period marked by a yearning for authenticity found in the natural world. It is an age-old projection, perhaps, but it gave solace in times of societal shift, suggesting timeless pastoral life. Editor: I'm captivated by the artist’s deliberate use of monochrome. Each line is a statement, emphasizing form. I could study those carefully hatched lines for hours. Curator: The animal's placement creates this powerful emotional tone, it allows us, even now, to believe, if only for a moment, that this vision of the natural order is as uncomplicated as the artist portrays. Editor: A fleeting visit into bucolic existence... I'm noticing things I did not initially. So thank you for bringing this drawing to my attention. Curator: My pleasure.

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