Johannes Baer made this photograph of a seated toddler in a white dress, but its date remains a mystery. This image allows us to consider the relationship between photography and social class in the Netherlands. In the late 19th century, photography studios emerged as institutions of social representation, capturing images of individuals and families, mainly from the middle and upper classes. The child's formal attire and posed presentation suggest a family of means, keen to participate in this new form of visual culture. The very act of commissioning a portrait speaks to the family's desire for social visibility and status. But the real question is, in what ways did the studio influence the family? Did the studio prescribe the clothing or the pose? By studying these images and related documents, such as studio records and family archives, we can better understand the social conditions that shaped artistic production and consumption during this period.